The image capture follows a performative process that links body and landscape—mediated by the equipment—in a kind of choreographic procedure or improvisational structure. The equipment dictates the control of the upper body's functions. Through its base, we experiment with ways of walking and moving, rooting ourselves and breathing—all while resonating with the image framed by the lens. Paired as a sort of temporary unit, equipment and body sweep across the surroundings, creating an experience of tactile-visual displacement.